Anyways, let's find a new topic. For me at least, this one is really tired.
I think the topic is tired, too, but I keep getting pulled back in because my position is just so reasonable and data-backed that, when faced with disagreement, my assumption is that I simply didn't state my case clearly enough. I'm supremely confident that, one by one, every reader on these boards is eventually going to stumble across something or other I post and realize "Oh, _that's_ what Jewell was on about! Well, of course that's correct, we can move forward, now."
It's with that confidence that I attempt the following re-statement.
I probably fall into the area where JeffJewell appears to be, that is (and always JJ, correct where needed), Eisner lost his way post-Wells.
Just to clarify, I wouldn't say he "lost his way," I'd say he "lost his balance."
It's my feeling that Eisner, at heart, has always been a "sharp-pencil" guy: I think he would have been an excellent executive for a business like Wal-Mart; where the name of the game is push as much out the door as you can manage, and you play hardball with your suppliers because we can buy our five tons of toilet paper from anywhere. I think Eisner might excel in that type of commodity industry, where the products are generic.
I don't think Eisner ever "got it" that Disney products, for much of the company's life span, were the exact opposite of commodities; further, I think Wells "got it," something fierce.
My position is that Eisner has always used pretty much the same set of marketing and sales tools, but that Walt then Frank provided him with the high-quality product upon which to use those tools.
With Frank gone and the whole Katz/Ovitz series of shoving matches behind him, Eisner lost the force that balanced, or perhaps even fueled, his own. Without the high-quality raw material, Eisner can't use his tools to the same effect as he had in the early 80's.
Without the dream, the creative vision, the care in the products, Eisner's Disney is hollow and soulless. At this point, I do not believe Eisner is interested in sharing his power, and I do not believe he is inclined to learn a different set of tools in his corporate dotage.
Whether Eisner lasts past 2004 or not may be questionable, but Disney has to have a leader with a creative vision as well as a financial one. I believe that Michael Eisner is currently a brick wall on the road to acheiving that goal; a wall that is best destroyed as quickly as possible.
Jeff